维萨吉里亚佛教森林寺院

描述

维萨吉里耶佛教森林寺院群建于公元前3世纪，由天爱帝须王建造。寺院群内已发现23座石棺。传说寺院群原先的规模比现在更大，因为后来其他建筑也使用了来自此地的石料。.
人们认为维萨吉里亚（Vessagiriya）这个名字源于梵语“Vaishya”和僧伽罗语“Giri”。“Vaishya”是印度文化中一个权力等级较高的种姓，主要服务于商业和贸易群体。“Giri”在僧伽罗语中意为“山”。因此，“Vaishya Giri”可以理解为“工业和贸易之人的山”。这也暗示着，居住于此的谦逊僧侣在世俗生活中可能从事商业活动。.
僧侣和信徒们在石头上刻下的铭文，讲述了韦萨吉里亚的故事。据古籍记载，在斯里兰卡创立佛教的阿罗汉摩哂陀长老曾在韦萨吉里亚为五百名毗舍离僧人剃度。如今，这里仍然保留着当年苦行僧休憩的平坦花岗岩地面。.
据信，韦萨吉里亚在提萨国王统治时期被称为伊萨拉萨马纳拉玛。.

关于此景点的更多详情

Nestled amidst the lush landscapes of Sri Lanka, Vessagiriya stands as a testament to the architectural brilliance of ancient times. The site boasts a remarkable fusion of nature and human ingenuity, creating an awe-inspiring marvel. At its core, Vessagiriya embodies Pabbatha Vihara architecture, a style that seamlessly merges man-made structures with the natural rock formations surrounding them. Let us embark on a journey to discover the secrets and splendour of Vessagiriya.

Pabbatha Vihara Architecture

Pabbatha Vihara architecture encompasses a unique approach that integrates constructed elements with the inherent beauty of the landscape. Rather than imposing upon nature, ancient architects worked with it, crafting structures that harmoniously blended into the surroundings. The key feature of this architectural style is the arrangement of rectangular building areas, also known as courtyards, which are strategically positioned at various levels. These courtyards are often encircled by water, enhancing the overall aesthetic appeal and creating a serene atmosphere.

The Four Sacred Buildings

As we ascend to the upper courtyard of Vessagiriya, a mesmerizing sight unfolds. Four sacred buildings, meticulously arranged in a specific order, grace this elevated space. Each building holds its significance and contributes to the spiritual ambience of the site. The first is the stupa, a structure symbolizing enlightenment and spiritual awakening. Next is the bodhighara, a place for meditation and introspection. Following that is the patimaghara, a shrine dedicated to the veneration of Buddha images. Lastly, we encounter the Prasada, a grand structure believed to be the uposathaghara, where monks gather for religious observances.

Manju Sri Bhashitha Vastuvidyawa

To gain deeper insights into the architectural intricacies of Vessagiriya, we turn to an ancient Sanskrit manuscript, Manju Sri Bhashitha Vastuvidyawa. This invaluable book explains the buildings and standards employed in constructing Pabbatha Viharas. It serves as a comprehensive guide, shedding light on the intentions, symbolism, and principles governing these awe-inspiring monasteries' creation.

The Rectangular Precinct

At the heart of Vessagiriya's monasteries lies the large rectangular precinct, a defining feature of this architectural style. This expansive space encapsulates the sacred quadrangle, accommodating the four significant shrines previously mentioned. The rectangular precinct serves as the spiritual nucleus of Vessagiriya, offering visitors a glimpse into the rich history and religious significance associated with these magnificent structures.

Identification of the Uposathaghara

Among the four sacred buildings, the Prasada stands out as a structure of great importance. Scholars and archaeologists have identified it as the uposathaghara, where monks gather for uposatha, a fortnightly Buddhist observance. The prasada's distinctive features, architectural elements, and historical context provide strong evidence supporting this identification, further adding to the allure of Vessagiriya.

Vessagiriya stands as a testament to the rich cultural heritage of Sri Lanka and the artistic prowess of ancient architects. The fusion of natural rock formations with man-made structures exemplifies the harmonious relationship between humans and the environment. As visitors explore the monasteries of Vessagiriya, they are transported back in time, awestruck by the architectural marvels that have withstood the test of centuries. This site serves as a reminder of the wisdom and skill possessed by our ancestors, leaving us with a profound appreciation for the enduring beauty of the past.

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